Mozart at play: the limitations of attributing the etiology of genius to tourette syndrome and mental illness.
Identifieur interne : 000015 ( PubMed/Checkpoint ); précédent : 000014; suivant : 000016Mozart at play: the limitations of attributing the etiology of genius to tourette syndrome and mental illness.
Auteurs : Henry Powell [États-Unis] ; Howard I. Kushner [États-Unis]Source :
- Progress in brain research ; 2015.
English descriptors
- KwdEn :
- MESH :
- etiology : Mental Disorders, Tourette Syndrome.
- history : Mental Disorders, Tourette Syndrome.
- Adult, Famous Persons, History, 18th Century, Humans, Male, Music.
Abstract
There has been a persistent attempt to explain Mozart's talent as connected to physical and mental illness. While Mozart's musical compositions and performances were often acclaimed for their "taste," the composer's personal behavior sometimes astonished those who witnessed "blödeln" or wild horseplay, practical joking, and scatological humor. Most recently, Mozart's eccentric behavior has been attributed to Gilles de la Tourette syndrome. This chapter investigates the evidence for these retrospective diagnoses and reassesses this evidence by paying particular attention to the milieu in which Mozart lived. We argue that Mozart's putative pathological behavior was a manifestation of his resilience in face of multiple adversities and was deeply rooted in his sense of play. Our hypothesis is that play, rather than neuropsychiatric disease, was essential to the operation of his genius.
DOI: 10.1016/bs.pbr.2014.11.010
PubMed: 25684294
Affiliations:
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While Mozart's musical compositions and performances were often acclaimed for their "taste," the composer's personal behavior sometimes astonished those who witnessed "blödeln" or wild horseplay, practical joking, and scatological humor. Most recently, Mozart's eccentric behavior has been attributed to Gilles de la Tourette syndrome. This chapter investigates the evidence for these retrospective diagnoses and reassesses this evidence by paying particular attention to the milieu in which Mozart lived. We argue that Mozart's putative pathological behavior was a manifestation of his resilience in face of multiple adversities and was deeply rooted in his sense of play. Our hypothesis is that play, rather than neuropsychiatric disease, was essential to the operation of his genius.</div></front></TEI><pubmed><MedlineCitation Owner="NLM" Status="MEDLINE"><PMID Version="1">25684294</PMID><DateCreated><Year>2015</Year><Month>02</Month><Day>16</Day></DateCreated><DateCompleted><Year>2015</Year><Month>09</Month><Day>10</Day></DateCompleted><Article PubModel="Print-Electronic"><Journal><ISSN IssnType="Electronic">1875-7855</ISSN><JournalIssue CitedMedium="Internet"><Volume>216</Volume><PubDate><Year>2015</Year></PubDate></JournalIssue><Title>Progress in brain research</Title><ISOAbbreviation>Prog. Brain Res.</ISOAbbreviation></Journal><ArticleTitle>Mozart at play: the limitations of attributing the etiology of genius to tourette syndrome and mental illness.</ArticleTitle><Pagination><MedlinePgn>277-91</MedlinePgn></Pagination><ELocationID EIdType="doi" ValidYN="Y">10.1016/bs.pbr.2014.11.010</ELocationID><ELocationID EIdType="pii" ValidYN="Y">S0079-6123(14)00011-9</ELocationID><Abstract><AbstractText>There has been a persistent attempt to explain Mozart's talent as connected to physical and mental illness. While Mozart's musical compositions and performances were often acclaimed for their "taste," the composer's personal behavior sometimes astonished those who witnessed "blödeln" or wild horseplay, practical joking, and scatological humor. Most recently, Mozart's eccentric behavior has been attributed to Gilles de la Tourette syndrome. This chapter investigates the evidence for these retrospective diagnoses and reassesses this evidence by paying particular attention to the milieu in which Mozart lived. We argue that Mozart's putative pathological behavior was a manifestation of his resilience in face of multiple adversities and was deeply rooted in his sense of play. Our hypothesis is that play, rather than neuropsychiatric disease, was essential to the operation of his genius.</AbstractText><CopyrightInformation>© 2015 Elsevier B.V. All rights reserved.</CopyrightInformation></Abstract><AuthorList CompleteYN="Y"><Author ValidYN="Y"><LastName>Powell</LastName><ForeName>Henry</ForeName><Initials>H</Initials><AffiliationInfo><Affiliation>Department of Pathology, School of Medicine, University of California, San Diego, CA, USA. 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A. Mozart</Keyword><Keyword MajorTopicYN="N">genius</Keyword><Keyword MajorTopicYN="N">illness</Keyword><Keyword MajorTopicYN="N">mental illness</Keyword><Keyword MajorTopicYN="N">music</Keyword><Keyword MajorTopicYN="N">scatology</Keyword><Keyword MajorTopicYN="N">talent</Keyword></KeywordList></MedlineCitation><PubmedData><History><PubMedPubDate PubStatus="aheadofprint"><Year>2015</Year><Month>1</Month><Day>20</Day></PubMedPubDate><PubMedPubDate PubStatus="entrez"><Year>2015</Year><Month>2</Month><Day>17</Day><Hour>6</Hour><Minute>0</Minute></PubMedPubDate><PubMedPubDate PubStatus="pubmed"><Year>2015</Year><Month>2</Month><Day>17</Day><Hour>6</Hour><Minute>0</Minute></PubMedPubDate><PubMedPubDate PubStatus="medline"><Year>2015</Year><Month>9</Month><Day>12</Day><Hour>6</Hour><Minute>0</Minute></PubMedPubDate></History><PublicationStatus>ppublish</PublicationStatus><ArticleIdList><ArticleId IdType="pii">S0079-6123(14)00011-9</ArticleId><ArticleId IdType="doi">10.1016/bs.pbr.2014.11.010</ArticleId><ArticleId IdType="pubmed">25684294</ArticleId></ArticleIdList></PubmedData></pubmed><affiliations><list><country><li>États-Unis</li></country><region><li>Californie</li><li>Géorgie (États-Unis)</li></region></list><tree><country name="États-Unis"><region name="Californie"><name sortKey="Powell, Henry" sort="Powell, Henry" uniqKey="Powell H" first="Henry" last="Powell">Henry Powell</name></region><name sortKey="Kushner, Howard I" sort="Kushner, Howard I" uniqKey="Kushner H" first="Howard I" last="Kushner">Howard I. 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